All periods combined, the collection’s strength resides in funerary material, which includes the beautifully painted coffins of Djedmut and Amunred, magic servant statues (called shabtis) that would do the owner’s chores in the afterlife, and a canopic jar that once contained the mummified liver of a man named Qeny. The collection was brought together in an extremely powerful manner with the recent acquisition of the False Door of Ni-ankh-Snefru (called Fefi) (circa 2321–2278 B.C.E.).
The false door was an important architectural element of private tombs because it served as a passageway for the ka (soul) of the deceased to travel between this world and the next. Priests, family members, and pious visitors would place in front of a false door offerings (generally bread and beer) intended to magically feed the ka of the deceased. This practice indicates that a section of an ancient tomb, separate from where the funerary belongings were sealed away, was accessible to visitors.
The remainder of the collection focuses on the many gods worshipped in Egypt, including the fierce lioness Sekhmet, the goddess of war and medicine.
Note: The North Carolina Museum of Art uses the designation B.C.E./C.E. (Before Common Era/Common Era) rather than B.C./A.D. (Before Christ/Anno Domini) when dating its ancient collections that are not rooted in the Christian tradition. All dates prior to 664 B.C.E. are approximate and are thus preceded by circa.