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We’re reimagining the People’s Collection, and your favorites may be on the move. If you’re visiting to see a particular object, please email help@ncartmuseum.org to confirm it’s on view. Staff will respond as soon as possible during gallery hours, Wednesday through Sunday, 10 am to 5 pm.

Our Judaic, Rodin, Italian, Dutch and Renaissance, and Modern and Contemporary galleries will remain on view through May 29, 2022, along with a selection of works from the African arts collection. West Building will then close to the public, reopening October 8, 2022. Learn more about this exciting reinstallation project and related reopening celebrations. 

Modern Beauty

/ November 15, 2021
To complement the exhibition Alphonse Mucha: Art Nouveau Visionary, the Museum commissioned three North Carolina–based artists to reinterpret Mucha’s iconic works in order to explore modern definitions of beauty and widened cultural representation.
 
“Beauty to me, in this context, is unapologetically being yourself,” said participating artist Lakeshia T. Reid. “It’s exuding strength, confidence and vulnerability, self-acceptance, and respect. It’s a celebration of the things that make each person unique.”

 

Alisha Locklear Monroe discusses her work Blessings

The three new works are by Lumbee artist Alisha Locklear Monroe, an art teacher and former employee of the Museum of the Southeast American Indian; painter and muralist Tori “FNoRD” Carpenter, a disabled artist working with Arts Access; and Lakeshia T. Reid, a Black painter who is the owner of 311 Gallery and has been in exhibitions at the National Humanities Center and Shaw University through partnerships with VAE Raleigh.

 

Tori “FNoRD” Carpenter discusses her work La Beauté de la Confiance (The Beauty of Confidence)

 

Lakeshia T. Reid discusses her work Healing in a Weeping Place


As an influential force behind the art nouveau movement, Mucha created sumptuous posters and advertising materials that transformed the streets of Paris into open-air art exhibitions. Continuing the ethos of “art for the people,” these reimagined works are posted in select locations of downtown Raleigh and included in the exhibition at an interpretive station where visitors can explore their own definitions of modern beauty.

Kat Harding
Kat Harding is assistant director of marketing and communications at the North Carolina Museum of Art.

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