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Due to unforeseen circumstances and expected inclement weather, the Watchhouse concert originally scheduled for Saturday, October 1, has been rescheduled to Friday, October 28. Tickets for the original date can be used for the rescheduled date; just present your ticket at the new event. For additional assistance, or to request a refund, contact help@ncartmuseum.org during gallery hours, Wednesday through Sunday, 10 am to 5 pm. Learn more on the event page.


Please note: West Building is now closed through October 7, 2022, to complete an exciting reinstallation of the People’s Collection. During this time enjoy free exhibitions on view in East Building, indoor and outdoor events and programming, and the 164-acre Museum Park. We’re excited to welcome visitors back to a new Museum experience starting October 8, 2022. Learn more about the opening weekend celebration.

Exhibition

Container/Contained: Phil Freelon Design Strategies for Telling African American Stories

February 26—May 15, 2022
East Building, Level B, Joyce W. Pope Gallery

North Carolina architect Philip G. Freelon (1953–2019) had a remarkable career of over four decades designing public buildings with his firm, The Freelon Group, and later as design director of Perkins & Will North Carolina.

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This exhibition critically examines Freelon’s work, which includes museums, libraries, cultural centers, and public parks, with a focus on his projects that foreground African American communities and identities. Freelon often noted that architecture should be more than a container—it should help tell the story of and be integral to the content of public institutions. To explore the relationship between the container and the contained in Freelon’s architecture, this exhibition analyzes connections between the forms, materials, and meanings of his projects and the histories and cultures they celebrate.

Freelon and his team drew on histories of neighborhoods, connections to African American communities, and African pasts to create designs rooted firmly in place and time. Activism and celebration of heritage are subtly present in Freelon’s work. He was a master of formal symbolism and design metaphors that are thoughtful and thought-provoking and reference culture and history. Freelon’s work, for example, examines the multiple functions and meanings of skin—as both a protective covering and a visual form of identification. In his designs for African American communities and institutions, he expanded the idea of skin with complex building envelopes that explore the use of color, pattern, and material.

This exhibition was researched, curated, and designed by a team of faculty and students led by Dr. Emily Makas from the School of Architecture at University of North Carolina at Charlotte. This work was made possible by support from UNC Charlotte’s School of Architecture, College of Arts and Architecture, Chancellor’s Diversity Grant Program, and Office of Undergraduate Research, as well as from Perkins & Will.


In Raleigh additional support for this exhibition is made possible, in part, by the North Carolina Department of Natural and Cultural Resources; the North Carolina Museum of Art Foundation, Inc.; and the William R. Kenan Jr. Endowment for Educational Exhibitions. Research for this exhibition was made possible by Ann and Jim Goodnight/The Andrew W. Mellon Foundation Fund for Curatorial and Conservation Research and Travel.

Perkins & Will, Design for Freedom Park, Raleigh, NC, Courtesy of Perkins & Will; © 2021 Perkins & Will

 

Noah Willman, Phil Freelon, Courtesy of Perkins & Will; © 2021 Noah Willman

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