Due to unforeseen circumstances and expected inclement weather, the Watchhouse concert originally scheduled for Saturday, October 1, has been rescheduled to Friday, October 28. Tickets for the original date can be used for the rescheduled date; just present your ticket at the new event. For additional assistance, or to request a refund, contact help@ncartmuseum.org during gallery hours, Wednesday through Sunday, 10 am to 5 pm. Learn more on the event page.

Please note: West Building is now closed through October 7, 2022, to complete an exciting reinstallation of the People’s Collection. During this time enjoy free exhibitions on view in East Building, indoor and outdoor events and programming, and the 164-acre Museum Park. We’re excited to welcome visitors back to a new Museum experience starting October 8, 2022. Learn more about the opening weekend celebration.

Weinberg Lecture of Egyptology

Join us for the 10th Weinberg Lecture of Egyptology, a double program that commemorates two important milestones in Egyptology: the 200th anniversary of the decipherment of Egyptian hieroglyphs and the centennial of the discovery of King Tutankhamun’s tomb.

In the first 40-minute talk, Dr. Jackie Jay, Eastern Kentucky University, traces the path of decipherment of hieroglyphs from Kircher to Champollion and places the Rosetta Stone in its original historical context as a priestly decree issued in the reign of Ptolemy V.

In the second, Emily Smith-Sangster, Princeton University, reflects on the early discovery and analyses of the tomb and body of Tutankhamun and explores the theory of a manufactured “iconography of disability” created by artists of the king. This program is virtual.

From Esoteric Wisdom to Mundane Phonetics:  The Rosetta Stone and Champollion’s Breakthrough
Jackie Jay, Eastern Kentucky University

In 1655, the German Jesuit scholar Athanasius Kircher claimed to have cracked the secret of the Egyptian hieroglyphs.  Kircher’s translations were, however, wildly wrong, for he (like many before him) quite reasonably assumed that the hieroglyphs represented true “picture writing,” with the meaning of each sign lying in what it depicted.  In the early nineteenth century, the Swedish scholar Johan David …kerblad began to correct this misconception with his recognition of the phonetic nature of the cursive “demotic” script (one of the three scripts on the Rosetta Stone).  Both Thomas Young in England and Jean-Jacques Champollion in France depended heavily on …kerblad’s work in their own decipherment efforts.  In 1822, Champollion presented to an audience of French intellectuals what we now know to be the truth about the hieroglyphs: they are a complex mix of different types of signs, some phonograms (phonetic signs) and some ideograms (meaning signs).  This talk will trace the path of decipherment from Kircher to Champollion.  It will also place the Rosetta Stone in its original historical context as a priestly decree issued in the reign of Ptolemy V.

Uncovering New “Wonderful Things” – Reflecting on the Centennial of the Rediscovery of Tutankhamun and the Theory of the King’s “Iconography of Disability”
Emily Smith-Sangster, Princeton University

The 1922 rediscovery of the tomb of Tutankhamun not only impacted the field of Egyptology but also changed the public’s perception and intensified interest in the ancient culture and this king of the 18th Dynasty. This impact was primarily due to the mostly intact nature of the tomb, the proliferation of golden grave goods, and the presence of the boy king’s preserved body. Analyses of the body of the king, however, found that Tutankhamun may have been afflicted with a number of injuries and illnesses and possessed a leg-based disability, not fitting with many individuals’ view of a powerful Pharaoh. This reading of the remains led many within and outside of the field of Egyptology to suggest that the king, depicted on many of the “wonderful things” Carter excavated, was shown in a completely unique way, as a king very clearly possessing a disability. In this lecture we will reflect on the early discovery and analyses of the tomb and body of Tutankhamun and then explore this theory of a manufactured “iconography of disability” created by the artists of the king. In doing so we will examine what influenced these early claims, how the theories have developed over the past 100 years, and then explore how the application of disability theory and art history can complicate these views. What will become clear is that even a century later, the tomb, body, and material of Tutankhamun still has quite a bit to tell us about the ancient past, especially when it comes to disability.

If you do not receive a confirmation email or for additional questions on the content of this program, email Maria Lopez, manager of film and lecture programs.

We are working to make our content accessible. If you need live captions or an ASL interpreter or have another request, email Felicia Ingram. 

Support provided by the Gerhard L. Weinberg Endowment Fund.



Mar 06, 2022


2:00 PM - 4:00 PM


Free; registration required
For More Information:
(919) 715-5923
Wednesday through Sunday, from 10 am to 5 pm
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