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Ann and Jim Goodnight Park

This is a museum where you can find your own place—whether in contemplative spaces or through lively, engaging tours, performing arts, and family workshops. We invite you to create your own captivating experience each time you visit.

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West Building

American Galleries

The American art collection encompasses paintings and sculpture from the late colonial period to the advent of modern art in the 20th century. It addresses important themes and subjects of American art history, such as the search for a national identity; the conflicts over race, immigration, and social class; and the rapid evolution of society.

Classical Galleries

The classical collection comprises works of art from ancient Greece and Rome, including art from two great civilizations: Greek Bronze Age cultures in the Aegean and mainland Greece, and the Villanovan and Etruscan cultures of northwest and central Italy. The collection provides a survey of art covering more than 3,000 years and much of the Mediterranean.

Modern and Contemporary Galleries

In recent years major acquisitions have helped build a significant collection of contemporary art. Outstanding works include Frank Stella’s painting Raqqa II (1970), Anselm Kiefer’s Untitled (1980–86) triptych, Gerhard Richter’s abstract painting Station (577-2) (1985), Elizabeth Murray’s Pigeon (1991), and Jaume Plensa’s sculpture Doors of Jerusalem I, II, & III (2006).

Egyptian Gallery

Although comprising only 38 artifacts, the ancient Egyptian art collection represents the major periods of ancient Egyptian history, from the Predynastic to the Roman periods. The Museum’s oldest artifact is a black-topped ceramic jar that was handmade approximately 6,000 years ago.

European Galleries

The European collection is the crown jewel of the Museum, as was intended from the founding of the institution. Of the 139 paintings and sculptures purchased with the original appropriation, 123 were European. When these were augmented by the 75 European paintings and sculptures given to the Museum by the Samuel H. Kress Foundation in 1961, they created a collection that is recognized as one of the finest in the United States.

Judaic Art Gallery

The Judaic Art Gallery features ceremonial objects from the major Jewish traditions as well as from modern Israel. Highlights include a pair of mid-18th-century silver and gilt Torah finials (rimmonim); a large standing Hanukkah lamp, circa 1930; and an elegant pair of silver finals and matching Torah pointer (yad) dated 1783 from the Orthodox Synagogue in Plymouth, England.

Rodin Galleries

In 2009 the Iris and B. Gerald Cantor Foundation donated 30 sculptures to the NCMA, making it the repository for the most extensive Rodin collection between Philadelphia and the West Coast. Featuring works from all phases of the master's career, the collection offers the opportunity to experience Rodin's formidable genius.

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Henry Spencer Moore, Large Spindle Piece, 1974, from the model of 1968—69, bronze, 128 x 127 in., Gift of Mr. and Mrs. Gordon Hanes
Auguste Rodin, The Three Shades, modeled circa 1886, enlarged circa 1901, Musée Rodin cast 1981, bronze, H. 75 1/2 x W. 75 1/2 x D. 42 in., Gift of the Iris and B. Gerald Cantor Foundation, 2009
Barbara Kruger, Henry Smith-Miller, Laurie Hawkinson, and Nicholas Quennell, PICTURE THIS/Museum Park Theater, designed 1992—94, constructed 1994—97, various materials and dimensions
Ursula von Rydingsvard, Ogromna, 2009, cedar and graphite, H. 20 ft. 7 in x W. 12 ft. 4 in. x D. 11 ft. 8 in., Commissioned with funds from the North Carolina State Art Society (Robert F. Phifer Bequest)
Henry Spencer Moore, Large Standing Figure: Knife Edge
Untitled, Ledelle Moe, 2007, concrete and steel, H, 72 x W. 108 x D. 96 in., Courtesy of Ledelle Moe
Thomas Sayre, Gyre, 1999, three ellipses of concrete, colored with iron oxide, reinforced with steel, and mottled with dirt residue from earth casting,overall length 150 ft. Gift of Artsplosure, City of Raleigh, and various donors
Steed Taylor, Invasive, 2008, high-gloss latex paint, various dimensions, Museum commission funded by the John Rex Endowment through the Physical Activity and Nutrition Branch of the N.C. Division of Public Health
Martha Jackson-Jarvis, Crossroads/Trickster I, 2005, brick, steel, mortar, glass tile, and stone, H. 20 ft. x Diam. 23 in., Commissioned by the North Carolina Museum of Art with funds from Wachovia Bank and the North Carolina Department of Transportation Enhancement Program
Lunar Bird by Joan Miró resembles ancient votive sculptures and reflects his interest in the cosmos, with its crescent moon—shaped face and arms reaching toward the sky. A figure in the early-20th-century surrealist art movement, Miró saw art as a way for the subconscious mind to express itself.
Henry Spencer Moore, Large Standing Figure: Knife Edge, 1961, cast 1976, bronze, H. (including base) 137 1/2 in., Bequest of Gordon Hanes
Mike Cindric and Vincent Petrarca, Lowe’s Pavilion, 2007, steel, wood, aluminum, and concrete, H. 20 x W. 26 x L. 48 ft., Commissioned with funds from the Lowe’s Charitable and Educational Foundation
George Rickey, Three Red Lines
Al Frega, Benches and bicycle racks, 2005, wrought iron, steel, various dimensions, Commissioned with funds from the North Carolina Department of Transportation Enhancement Program and the North Carolina Department of Environment and Natural Resources Adopt-a-Trail Grant Program
Ellsworth Kelly, Untitled, 1986, stainless steel, H. 78 × 135 1/4 × 129 3/4 in., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Mark di Suvero, No Fuss, 2003—08, steel, H. 32 x W. 50 x D. 30 ft., Courtesy of the artist and Paula Cooper Gallery, New York
The presentation of Park Pictures at the NCMA is part of an ongoing series of outdoor art projects, Art Has No Boundaries, to encourage visitors to actively explore the Museum Park, and is made possible by Blue Cross and Blue Shield of North Carolina.
Mark di Suvero, Ulalu, 2001, stainless steel and painted steel, H. 319 x W. 360 x D. 180 in., Courtesy of the artist and Paula Cooper Gallery, New York
Auguste Rodin, Naked Muse, without Arms (study for “The Monument to Whistler”), modeled 1905—06, enlarged 1907—08, Musée Rodin cast 1991, bronze, H. 88 x W. 35 1/2 x D. 42 7/8 in., Gift of the Iris and B. Gerald Cantor Foundation
Ronald Bladen, Three Elements, 1965, fabricated 1966—67, painted and burnished aluminum over welded steel structures, three parts, each element: H. 120 3/8 x W. 48 3/8 x D. 21 1/2 in., Purchased with funds from the North Carolina State Art Society (Robert F. Phifer Bequest) in honor of Mr. and Mrs. Gordon Hanes
Hank Willis Thomas, Ernest and Ruth, 2015, steel plate and pipe, H. 83 x W. 96 x D. 48 in., Gift of Pat and Tom Gipson
Vollis Simpson, Wind Machine, 2002, steel and other media, H. 30 x W. 30 x D. 15 ft., Commissioned by the North Carolina Museum of Art with funds from the William R. Roberson Jr. and Frances M. Roberson Endowed Fund for North Carolina Art
Yinka Shonibare, CBE, Wind Sculpture II, 2013, steel armature with hand-painted fiberglass resin cast, H. 240 × W. 133 5/16 × D. 31 3/16 in., Gift of Jim and Ann Goodnight
Maria Elena González, You & Me, 2010
Tim Purus, A Closer Look, 2010, 14 etched aluminum plates, each 7 1/2 × 7 1/2 in.
Ledelle Moe, Collapse I, 2000, concrete and steel, H. 9 × W. 34 × D. 12 ft., Courtesy of Ledelle Moe
Chris Drury, Cloud Chamber for the Trees and Sky, 2003, stone, wood, and turf, approx. Diam. 12 ft., Commissioned by the North Carolina Museum of Art with funds from the North Carolina State Art Society
Yoan Capote, Open Mind (Barricades), 2014, metal, installed dimensions approx. H. 11 x W. 98 x D. 72 ft., Gift of anonymous donor, © 2014 Yoan Capote, Courtesy of the artist and Jack Shainman Gallery, New York. Special thanks to Mac and Keats for the installation of Open Mind at the North Carolina Museum of Art.
Bill and Mary Buchen, Flight Wind Reeds, 2003, aluminum, stainless steel, and brass, five elements, each approx. H. 25 ft., Commissioned by the North Carolina Museum of Art with funds from the North Carolina State Art Society (Robert F. Phifer Bequest)
Roxy Paine, Askew, 2009, stainless steel, H. 46 ft. 8 in., Gift in honor of Julia Jones Daniels, chairman of the Board of Trustees of the North Carolina Museum of Art (1998—2002) and member of the Board of Trustees (1983—95)

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OUTDOOR FILMS
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NORTH CAROLINA
MUSEUM OF ART
2110 Blue Ridge Road
Raleigh, NC 27607

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Raleigh, NC 27699

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