“Raise the Cup of Deliverance”: Thoughts on an 18th-century Beaker and the Jewish New Year
Although associated with the mourning and sadness of funerary traditions, this beaker is actually an object of celebration and life...
READ MOREThe Museum welcomes visitors back into the galleries starting Wednesday, September 9, with updated hours, Wednesday through Sunday, 10 am to 5 pm, required free timed tickets to encourage social distancing, and increased health and safety procedures including required cloth masks. Learn more about these updates in this video or at ncartmuseum.org/covid19.
Young Artists Exhibition Goes Virtual
The Museum committed to installing winning artworks from the Boys and Girls Clubs as an exhibition. Then came the pandemic and a new plan...
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West Building Turns Ten
In the midst of unprecedented challenges for our families, our state, and the world, we look to the light-filled West Building as a beacon of hope to all and look..
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Front Burner Artists: Migrating to North Carolina
The appeal of locations somewhat off the beaten path has drawn artists with a siren song of affordable living, access to nature, and rich cultural opportunities...
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The Coming of the King: From Rome to Raleigh
A masterpiece by American sculptor William Wetmore Story makes its way to Raleigh, getting a thorough restoration and even a new big toe...
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The Art of Describing Art
Robert Mlodzik, the Museum's manager of diversity, inclusivity, and accessibility, shares how audio description of artworks and events will expand the NCMA's..
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Interact with Interchanges
What ties a romantic European portrait to a stone from ancient Egypt? Director Valerie Hillings is making connections with Interchanges: Cross-Collection..
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Who Was Saul?
The NCMA aquires a masterpiece by American sculptor William Wetmore Story, who—living up to his narrative surname—knew just how to carve drama in stone...
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An Interview with Cornelio Campos
The artist, whose mural in Durham honors Diego Rivera, talks about his family, his heritage, and artistic influences.
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