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	<title>North Carolina Museum of Art &#124; Untitled &#187; John Menapace</title>
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		<title>From a Teen’s View</title>
		<link>http://ncartmuseum.org/untitled/2011/07/from-a-teen%e2%80%99s-view/</link>
		<comments>http://ncartmuseum.org/untitled/2011/07/from-a-teen%e2%80%99s-view/#comments</comments>
		<pubDate>Fri, 29 Jul 2011 17:33:46 +0000</pubDate>
		<dc:creator>Michelle</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Anthony Goicolea]]></category>
		<category><![CDATA[John Menapace]]></category>
		<category><![CDATA[Landscape Sublime]]></category>
		<category><![CDATA[Museum Park]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Teen]]></category>
		<category><![CDATA[vanitas]]></category>

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		<description><![CDATA[Michelle shares fantastic images from the Digital Photography Workshop for teens]]></description>
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<p>Teenagers tend to see the world a little differently—but that’s not a bad thing! A distinct point of view can be an asset to a photographer. The Museum’s recent Digital Photography Workshop encouraged high schoolers to express their creativity in a variety of media.</p>
<p>The workshop combined a photo shoot in the Museum Park with computer manipulation and hands-on art projects. First the teens took a look at our current photography exhibition, <em>Landscape Sublime</em>, and saw how North Carolina artist John Menapace transformed ordinary daily spaces into extraordinary arrangements of light and form. They took their cameras into the Park to capture worm’s-eye views of oaks covered with kudzu and the geometric angles of the amphitheater stage.</p>
<p>Back inside, they got their hands on computer software to manipulate photographs, distorting and enhancing their own photos for a dramatic and sometimes humorous effect. The students experimented with printing on unusual surfaces and combining photos of themselves with works of art for mixed-media projects.</p>
<p>They drew inspiration from Anthony Goicolea’s <em>Sea Wall</em>, a sculptural installation of photos, glass bottles, and glass blocks,<em> </em>to print photographs of each other on acetate for a group installation, which they then photographed. They looked at <em>vanitas</em> paintings in the Dutch collection—still lifes that symbolize the emptiness and transience of earthly things—and then created another three-dimensional installation using still-life objects. Their work graced the Blue Ridge patio for just a short time, but the images live on in students’ photographs.</p>
<p>We invite you to peer behind the lens for a new perspective of the Museum.</p>
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