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	<title>North Carolina Museum of Art &#124; Untitled &#187; John Knox</title>
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		<title>Tears for Lucretia</title>
		<link>http://ncartmuseum.org/untitled/2012/01/tears-for-lucretia/</link>
		<comments>http://ncartmuseum.org/untitled/2012/01/tears-for-lucretia/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 21:52:23 +0000</pubDate>
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				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Staff Voices]]></category>
		<category><![CDATA[John Knox]]></category>
		<category><![CDATA[Lucretia]]></category>
		<category><![CDATA[Rembrandt in America]]></category>

		<guid isPermaLink="false">http://ncartmuseum.org/untitled/?p=2832</guid>
		<description><![CDATA[John on the emotional power of Rembrandt]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-2836" title="34.19" src="http://ncartmuseum.org/untitled/wp-content/uploads/2011/12/van-Rijn-Lucretia-Minneapolis.jpg" alt="" width="271" height="339" />Let me be frank. I wouldn’t have believed it if I hadn’t seen it happen more than once. Someone moved to tears by a painting? Yeah, right! But it’s true. <em>Lucretia</em>, depicting a bleeding, heartbroken, dying figure, is obviously a tearjerker. We’re seeing it in the galleries quite frequently. One visitor&#8217;s sobs prompted a guard to ask if she needed assistance; another’s pacing in front of the painting was sad and intense; a pair of women in conversation on a nearby bench, tearful, emotional. I’m a guy. Honestly, I don’t get it. However, I do get that the ability to pull powerful emotions with strokes of a paintbrush is real genius.</p>
<p><em>John Knox is the Director of Operations for the NCMA.</em></p>
<p><em>Image above: Rembrandt van Rijn,</em> Lucretia<em>, 1666</em>, <em>oil on canvas, 43 3/8 x 36 3/8 in.,</em> Minneapolis Institute of Arts, The William Hood Dunwoody Fund, 34.19</p>
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