<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: The Contemporary Art Whirl</title>
	<atom:link href="http://ncartmuseum.org/untitled/2010/11/the-contemporary-art-whirl/feed/" rel="self" type="application/rss+xml" />
	<link>http://ncartmuseum.org/untitled/2010/11/the-contemporary-art-whirl/</link>
	<description>The NCMA Blog</description>
	<lastBuildDate>Wed, 15 May 2013 21:18:44 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=abc</generator>
	<item>
		<title>By: margaret withers</title>
		<link>http://ncartmuseum.org/untitled/2010/11/the-contemporary-art-whirl/#comment-42857</link>
		<dc:creator>margaret withers</dc:creator>
		<pubDate>Fri, 14 Jan 2011 18:29:58 +0000</pubDate>
		<guid isPermaLink="false">http://ncartmuseum.org/untitled/?p=2265#comment-42857</guid>
		<description>I would love to go see Inhotim as it sounds very fascinating.  I was first exposed to Janet Cardiff  in London in 99&#039; for her walk entitled the missing voice case study b.  It had such a profound impact on me as it nudged me out of craft art and into fine art production. To hear not only her voice but the ambient noise of her walk in my head. To see that artwork could &#039;come inside myself&#039; via a method other than the visual or tactile was life changing in its inspiration.  The Doug Aitken&#039;s installation sounds very cool as well.  I&#039;ll need to figure out a way to get down to Brazil before it comes down.</description>
		<content:encoded><![CDATA[<p>I would love to go see Inhotim as it sounds very fascinating.  I was first exposed to Janet Cardiff  in London in 99&#8242; for her walk entitled the missing voice case study b.  It had such a profound impact on me as it nudged me out of craft art and into fine art production. To hear not only her voice but the ambient noise of her walk in my head. To see that artwork could &#8216;come inside myself&#8217; via a method other than the visual or tactile was life changing in its inspiration.  The Doug Aitken&#8217;s installation sounds very cool as well.  I&#8217;ll need to figure out a way to get down to Brazil before it comes down.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: George Entenman</title>
		<link>http://ncartmuseum.org/untitled/2010/11/the-contemporary-art-whirl/#comment-40337</link>
		<dc:creator>George Entenman</dc:creator>
		<pubDate>Tue, 30 Nov 2010 21:24:21 +0000</pubDate>
		<guid isPermaLink="false">http://ncartmuseum.org/untitled/?p=2265#comment-40337</guid>
		<description>My wife and I visited the Bienal de São Paulo about two weeks ago.  It was amazing.  We didn&#039;t have time to see it all, it was so big.  We also liked the museum on the main street in downtown São Paulo.</description>
		<content:encoded><![CDATA[<p>My wife and I visited the Bienal de São Paulo about two weeks ago.  It was amazing.  We didn&#8217;t have time to see it all, it was so big.  We also liked the museum on the main street in downtown São Paulo.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
